Carole Bourne-Taylor
2021
Bourne-Taylor, Carole
Imaginary identity/imaginary identity in Meursault, counter-investigation by Kamel Daoud: question(s) of conflict Miscellaneous
2021.
@misc{Bourne-Taylor2021b,
title = {Imaginary identity/imaginary identity in Meursault, counter-investigation by Kamel Daoud: question(s) of conflict},
author = {Carole Bourne-Taylor},
doi = {10.24193/cechinox.2021.41.18},
year = {2021},
date = {2021-12-01},
urldate = {2021-12-01},
abstract = {"Identity is approached from the perspective of the genre of literary counter-investigation, in the wake of Laurent Demanze's study A New Age of Inquiry. In post-colonial Algeria, the motif of spectrality is bound up with an imaginary of grievance and impossible mourning, typified by Kamel Daoud's Meursault, counter-investigation. In this context, identity is synonymous with alienation. Like his predecessors Camus and Assia Djebar, Daoud is conducting his own quest for freedom, promoting the relational and ethical value of the imaginary as a universal network of images that counter the narrow enclosure of nationalist and fundamentalist discourse in a fundamentally dynamic encounter with the world and the other."},
keywords = {},
pubstate = {published},
tppubtype = {misc}
}
"Identity is approached from the perspective of the genre of literary counter-investigation, in the wake of Laurent Demanze's study A New Age of Inquiry. In post-colonial Algeria, the motif of spectrality is bound up with an imaginary of grievance and impossible mourning, typified by Kamel Daoud's Meursault, counter-investigation. In this context, identity is synonymous with alienation. Like his predecessors Camus and Assia Djebar, Daoud is conducting his own quest for freedom, promoting the relational and ethical value of the imaginary as a universal network of images that counter the narrow enclosure of nationalist and fundamentalist discourse in a fundamentally dynamic encounter with the world and the other."
Bourne-Taylor, Carole; Khalfa, Jean; Cooper, Sara-Louise
Variations on the Ethics of Mourning in Modern Literature in French Book
Peter Lang Ltd, 2021, ISBN: 9781789972740.
@book{Bourne-Taylor2021,
title = {Variations on the Ethics of Mourning in Modern Literature in French},
author = {Carole Bourne-Taylor and Jean Khalfa and Sara-Louise Cooper },
isbn = {9781789972740},
year = {2021},
date = {2021-11-02},
urldate = {2021-11-02},
publisher = {Peter Lang Ltd},
abstract = {From Freud and psychoanalysis to Derrida and philosophy, the question of mourning has been central to a whole strain of modern thought, especially in France. This fascinating and illuminating collection of essays explores the question in a wide range of intellectual and literary settings, from the French Revolution down through the nineteenth and twentieth centuries. It is a tour de force. (Christopher Prendergast FBA, King's College, Cambridge). This volume compellingly explores the intersection of ethics and aesthetics, showing how literature can enrich our sense of the complexity of mourning, grief and loss. It provides a significant contribution to scholarship on mourning, understood as a never-ending process of relationality. (Hanna Meretoja, University of Turku, Finland). How does modern writing in French grapple with the present absence and absent presence of lost loved ones? How might it challenge and critique the relegation of certain deaths to the realm of the unmournable? What might this reveal about the role of the literary in the French and francophone world and shifting conceptions of the nation-state? Essays on texts from the Revolution to the present day explore these questions from a variety of perspectives, bringing out the ways in which mourning contests the boundaries between the personal and the historical, the aesthetic and the ethical, the self and the other, and ultimately reasserting its truly critical resonance.},
keywords = {},
pubstate = {published},
tppubtype = {book}
}
From Freud and psychoanalysis to Derrida and philosophy, the question of mourning has been central to a whole strain of modern thought, especially in France. This fascinating and illuminating collection of essays explores the question in a wide range of intellectual and literary settings, from the French Revolution down through the nineteenth and twentieth centuries. It is a tour de force. (Christopher Prendergast FBA, King's College, Cambridge). This volume compellingly explores the intersection of ethics and aesthetics, showing how literature can enrich our sense of the complexity of mourning, grief and loss. It provides a significant contribution to scholarship on mourning, understood as a never-ending process of relationality. (Hanna Meretoja, University of Turku, Finland). How does modern writing in French grapple with the present absence and absent presence of lost loved ones? How might it challenge and critique the relegation of certain deaths to the realm of the unmournable? What might this reveal about the role of the literary in the French and francophone world and shifting conceptions of the nation-state? Essays on texts from the Revolution to the present day explore these questions from a variety of perspectives, bringing out the ways in which mourning contests the boundaries between the personal and the historical, the aesthetic and the ethical, the self and the other, and ultimately reasserting its truly critical resonance.
Bourne-Taylor, Carole
Réveil, réincarnation et restitution : Yves Bonnefoy dans l’Imaginaire musical de Jeremy Thurlow Journal Article
In: ATeM Archiv für Textmusikforschung, 2021.
@article{Bourne-Taylor2021c,
title = {Réveil, réincarnation et restitution : Yves Bonnefoy dans l’Imaginaire musical de Jeremy Thurlow},
author = {Carole Bourne-Taylor},
doi = {10.15203/ATeM_2021_2.10},
year = {2021},
date = {2021-03-09},
urldate = {2021-03-09},
journal = {ATeM Archiv für Textmusikforschung},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
2020
Bourne-Taylor, Carole
The Journey is Everything1: Virginia Woolf’s Continental AdventureVirginia Woolf’s Continental Adventure Book Chapter
In: pp. 161-170, 2020, ISBN: 9781949979350.
@inbook{Bourne-Taylor2020,
title = {The Journey is Everything1: Virginia Woolf’s Continental AdventureVirginia Woolf’s Continental Adventure},
author = {Carole Bourne-Taylor},
doi = {10.3828/liverpool/9781949979350.003.0011},
isbn = {9781949979350},
year = {2020},
date = {2020-06-30},
urldate = {2020-06-30},
pages = {161-170},
abstract = {Virginia Woolf had a European sensibility and a sense of Europe as an intellectual sphere. She was writing at a time when a syncretic European consciousness was emerging, as epitomized by Gide who hailed nomadism as a lifestyle. Woolf regarded the concept of nationality as obsolete and decried the ‘insularity’, ‘domesticity’ and ‘homeliness’ of England for which she produced a number of satirical metonyms. Possessing ‘the zest of travelling’, she found in France a ‘congenial civilisation’, where she could experience new trends of thought and sensory impressions, which would fuel her creativity. It was not just the blend of intellectuality and sensuality, but also the sheer strangeness of a foreign language and landscape that spurred her spirit of experimentation.},
keywords = {},
pubstate = {published},
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Virginia Woolf had a European sensibility and a sense of Europe as an intellectual sphere. She was writing at a time when a syncretic European consciousness was emerging, as epitomized by Gide who hailed nomadism as a lifestyle. Woolf regarded the concept of nationality as obsolete and decried the ‘insularity’, ‘domesticity’ and ‘homeliness’ of England for which she produced a number of satirical metonyms. Possessing ‘the zest of travelling’, she found in France a ‘congenial civilisation’, where she could experience new trends of thought and sensory impressions, which would fuel her creativity. It was not just the blend of intellectuality and sensuality, but also the sheer strangeness of a foreign language and landscape that spurred her spirit of experimentation.
Bourne-Taylor, Carole
The Journey is Everything : Virginia Woolf’s Continental Adventure Book Chapter
In: pp. 161-170, 2020, ISBN: 9781949979350.
@inbook{Bourne-Taylor2020b,
title = {The Journey is Everything : Virginia Woolf’s Continental Adventure},
author = {Carole Bourne-Taylor},
doi = {10.2307/j.ctv12sdxh1.15},
isbn = {9781949979350},
year = {2020},
date = {2020-06-30},
urldate = {2020-06-30},
pages = {161-170},
keywords = {},
pubstate = {published},
tppubtype = {inbook}
}
2013
Bourne-Taylor, Carole; Morgan, Charles; Morgan, Roger
Morgan: Three Plays Book
2013, ISBN: 9781849431828.
@book{Bourne-Taylor2013,
title = {Morgan: Three Plays},
author = {Carole Bourne-Taylor and Charles Morgan and Roger Morgan},
isbn = {9781849431828},
year = {2013},
date = {2013-05-31},
urldate = {2013-05-31},
abstract = {Includes the plays The River Line, The Flashing Stream and The Burning Glass. Charles Morgan was a distinguished novelist before he moved onto stage drama, with his reputation as a major dramatist established by his first play, The Flashing Stream. Morgan was unique for combining the roles of principal dramatic critic of The Times withthat of a practicing dramatist. The Daily Herald wrote that The Flashing Stream would ‘indefinitely refute the old idea about the gulf between our preaching and the practice’. It was hailed as ‘a masterpiece’ by the Manchester Guardian, and also drew praise from The Telegraph who noted that ‘it handles a major problem of humanity with passion and intelligence’. The combination of serious themes with dramatic tension and masterly craftsmanship was continued in his other plays, The River Line and The Burning Glass, which are also included in this collection. The River Line was revived in the West End in Oct 2011, at the Jermyn Street Theatre.},
keywords = {},
pubstate = {published},
tppubtype = {book}
}
Includes the plays The River Line, The Flashing Stream and The Burning Glass. Charles Morgan was a distinguished novelist before he moved onto stage drama, with his reputation as a major dramatist established by his first play, The Flashing Stream. Morgan was unique for combining the roles of principal dramatic critic of The Times withthat of a practicing dramatist. The Daily Herald wrote that The Flashing Stream would ‘indefinitely refute the old idea about the gulf between our preaching and the practice’. It was hailed as ‘a masterpiece’ by the Manchester Guardian, and also drew praise from The Telegraph who noted that ‘it handles a major problem of humanity with passion and intelligence’. The combination of serious themes with dramatic tension and masterly craftsmanship was continued in his other plays, The River Line and The Burning Glass, which are also included in this collection. The River Line was revived in the West End in Oct 2011, at the Jermyn Street Theatre.
Bourne-Taylor, Carole; Morgan, Charles; Morgan, Roger
Dramatic Critic: Selected Reviews (1922-1939) Book
2013.
@book{Bourne-Taylor2013b,
title = {Dramatic Critic: Selected Reviews (1922-1939)},
author = {Carole Bourne-Taylor and Charles Morgan and Roger Morgan},
year = {2013},
date = {2013-05-20},
urldate = {2013-05-20},
abstract = {Charles Morgan was the dramatic critic of The Times for most of the years between 1922 and 1939. The reviews for this small selection are taken from thousands written for The Times and from his weekly articles for The New York Times on the London theatre. Morgan was widely regarded as the most influential critic of his day. His fellow critic, James Agate, wrote ‘When Charles is on form he has us all whacked.’ Though most were written overnight for the following day’s paper, they were given space allowed to no modern critic. Beautifully written, they bring to life many of the great actors and actresses and the dramatists, old and new, as the theatre moved from the frivolous Twenties into the shadow of another war and towards the modern theatre of today. As they mirror the development of English theatrical taste in the interwar years, they are as much a delight to read, both witty and erudite, as they are an important historical record.},
keywords = {},
pubstate = {published},
tppubtype = {book}
}
Charles Morgan was the dramatic critic of The Times for most of the years between 1922 and 1939. The reviews for this small selection are taken from thousands written for The Times and from his weekly articles for The New York Times on the London theatre. Morgan was widely regarded as the most influential critic of his day. His fellow critic, James Agate, wrote ‘When Charles is on form he has us all whacked.’ Though most were written overnight for the following day’s paper, they were given space allowed to no modern critic. Beautifully written, they bring to life many of the great actors and actresses and the dramatists, old and new, as the theatre moved from the frivolous Twenties into the shadow of another war and towards the modern theatre of today. As they mirror the development of English theatrical taste in the interwar years, they are as much a delight to read, both witty and erudite, as they are an important historical record.
2010
Bourne-Taylor, Carole
Phenomenology, Modernism and Beyond Book
2010, ISBN: 9783039114092.
@book{Bourne-Taylor2010,
title = {Phenomenology, Modernism and Beyond},
author = {Carole Bourne-Taylor},
editor = {Ariane Mildenberg},
isbn = {9783039114092},
year = {2010},
date = {2010-07-28},
urldate = {2010-07-28},
abstract = {From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former.
The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.},
keywords = {},
pubstate = {published},
tppubtype = {book}
}
From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former.
The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.
The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.